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Muzak …

Muzak

It was Marc Laidlaw who in 1986 published a horror story entitled “Muzak for Torso Murders” in Dennis Etchison’s landmark anthology, “Cutting Edge”. That title stuck with me all throughout the years and it instantly resurfaces whenever I’m confronted with music that hurts my ears.

“Muzak”, as you all probably know, is basically a synonym for “background music”, “elevator music”, or worse. The way I understand the term, it describes that endless stream of noise pollution we are confronted with everyday in supermarkets, shopping malls, elevators, holiday resorts and God knows where else. If one wanted to be a cynic, one could also define it to be basically any music that is streamed to living rooms and offices across the globe via today’s radio stations, but we don’t want to be cynical today. Not at all. Continue Reading →

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Don’t Make Me Bleed!

Don't Make Me Bleed!

When the age of the remastered CD dawned, I immediately jumped to attention and started replacing some of my favourite CDs with the new versions, no questions asked. You know, the ones with all those stickers attached to them announcing that what you once had sucked and what you now bought offered superior sound (usually, with some bit number attached as a sales argument), new liner notes, orginal track sequence, alternate tracks, studio chatter and unreleased material, original artwork and whatnot.

What they don’t tell you is that many of those CDs you just sold via eBay, at your local second hand thrift shop or elsewhere, those that you thought had to be inferior because they were from the 80s or 90s, actually sound a lot better than the new remasters. As surprising as that sounds, it is also something a majority of listeners hasn’t realized yet, having been brought up on ultra-compressed radio and Internet streams. Continue Reading →